Jump to content

Love and Death

From Wikipedia, the free encyclopedia
For other uses, see Love and Death (disambiguation).
Love and Death
Theatrical release poster
Directed byWoody Allen
Written byWoody Allen
Produced byCharles H. Joffe
StarringWoody Allen
Diane Keaton
CinematographyGhislain Cloquet
Edited byRon Kalish
Ralph Rosenblum
Production
company
Jack Rollins & Charles H. Joffe Productions[1]
Distributed byUnited Artists
Release date
  • June 10, 1975 (1975-06-10)
Running time
85 minutes
CountryUnited States[1]
LanguageEnglish
Budget$3 million[citation needed]
Box office$20.1 million[2]

Love and Death is a 1975 American comedy film written and directed by Woody Allen. It is a satire on Russian literature starring Allen and Diane Keaton as Boris and Sonja, Russians living during the Napoleonic Era who engage in mock-serious philosophical debates. Allen considered it the funniest film he had made up until that point.[3]

Plot

[edit]

About to be executed for a crime he never committed, Boris Grushenko recalls how he got into his present predicament. Initially scheduled to die at 5:00 am, Boris receives leniency—a delay in execution until 6:00 am.

Ivan, Mikhail, and Boris are three brothers grown to “full manhood,” with Ivan and Mikhail brawny and athletic, and Boris a scrawny 5'6". Since childhood, Boris has been in love with his cousin Sonja, with whom he has deep conversations. Sonja: "To love is to suffer. To avoid suffering one must not love, but then one suffers from not loving. Therefore, to love is to suffer, not to love is to suffer, to suffer is to suffer. To be happy is to love, to be happy then is to suffer but suffering makes one unhappy; therefore, to be unhappy one must love or love to suffer or suffer from too much happiness. I hope you're getting this down."

Sonja tells Boris that she yearns for a man who embodies her three essentials of love: intellectuality, spirituality, and sensuality. Thinking that she is confessing her love for him, Boris is devastated when Sonja says she has been in love with Ivan all her life. Boris: "Ivan can barely write his name in the ground with a stick."

When Ivan announces that he intends to marry Anna Ivanova, a desolate Sonja immediately announces that she will marry Sergei Minskov, 81. Excited, Minskov immediately dies from a heart attack. Sonja then marries Leonid Boskovic, the herring merchant, who amuses himself with herring while Sonya dallies with a musician.

When Napoleon invades Austria during the Napoleonic Wars, Boris, a coward and pacifist, is forced to enlist in the Russian army. Boris doesn’t believe in fighting for “Mother Russia.” Boris’s Mother: "I hope they put him in the front lines!"

Boris completes military training, including a “hygiene play” on condoms and venereal disease. On furlough, Boris flirts at the opera with the beautiful Countess Alexandrovna, whose current lover has killed several men in duels. Countess: "You’re the greatest lover I ever had." Boris: "I practice a lot when I’m alone."

Unhappy in her marriage, Sonja recounts a long list of lovers. Boris offers to take her away, but Sonja asks after Ivan. When Boris tells her he is going to the front the next day, Sonja bids Boris, “have a nice time!” Boris inadvertently becomes a war hero when he falls asleep inside a large cannon and is fired into the French command tent, killing the officers. The regiment that started with 1200 men in battle thins down to 14 survivors; a message from the Czar encourages, “keep up the good work.” Ivan, a battle fatality, is bayonetted to death by a "Polish conscientious objector."

A Turkish cavalry officer impugns Sonja’s chastity. Boskovic dies accidentally while cleaning his pistol in preparing for a duel to defend her honor. Sonja laments she wasn’t kinder to him—perhaps even having sex with him once.

The Countess’s lover, Anton Lebedokov, challenges Boris to a duel. Boris returns and proposes to the widowed Sonja, who promises to marry him, thinking he will be killed in the duel. To her surprise and dejection, Boris survives the duel. Their marriage is filled with philosophical debates. Sonja: "Sex without love is an empty experience." Boris: "Yes, but as empty experiences go, it’s tough to beat." As time passes, he wins Sonja’s heart.

Sonja conceives a plot to assassinate Napoleon at his headquarters in Moscow. They debate the matter with philosophical doublespeak, and Boris reluctantly agrees. At an inn enroute to Moscow they encounter Don Francisco and his sister, emissaries from Joseph Bonaparte to Napoleon. Boris and Sonya waylay the Spaniards, taking their place. Unknowingly, they meet with Napoleon’s double, who attempts to seduce Sonja but is knocked out by her after Boris fails various attempts. Over the unconscious body, Sonya and Boris debate the ethics of killing Napoleon. While Boris vacillates, another intended Napoleon assassin shoots the double.

Sonja escapes arrest, but Boris is captured. Despite being told by a vision that he will be pardoned, Boris is executed. Boris's ghost bids goodbye to Sonja and the audience before dancing away with Death.

Cast

[edit]

Production

[edit]

Allen shot the film in France and Hungary, where he had to deal with unfavorable weather, spoiled negatives, food poisoning, physical injuries and communication difficulties. Consequently, he swore never to shoot a film outside the United States again. However, starting in 1996 with Everyone Says I Love You, Allen did in fact shoot a number of films abroad.[3]

Style

[edit]

Coming between Allen's Sleeper (1973) and Annie Hall (1977), Love and Death is in many respects an artistic transition between the two.[3] Allen pays tribute to the humor of The Marx Brothers, Bob Hope and Charlie Chaplin throughout the film.

The dialogue and scenarios parody Russian novels, particularly those by Dostoyevsky and Tolstoy, such as The Brothers Karamazov, Crime and Punishment, The Gambler, The Idiot and War and Peace.[3] This includes a dialogue between Boris and his father in which each line alludes to, or is composed entirely of, Dostoyevsky titles.

The use of Prokofiev on the soundtrack adds to the Russian flavor of the film. Prokofiev's "Troika" from the Lieutenant Kijé Suite is featured prominently, for the film's opening and closing credits and in selected scenes in the film when a "bouncy" theme is required. The battle scene is accompanied with music from Prokofiev's Alexander Nevsky cantata. Boris is marched to his execution to the "March" from Prokofiev's The Love for Three Oranges.[3]

Some of the humor is straightforward; other jokes rely on the viewer's awareness of classic literature or contemporary European cinema. For example, the final shot of Keaton is a reference to Ingmar Bergman's Persona.[3] The sequence with the stone lions is a parody of Sergei Eisenstein's Battleship Potemkin, while the Russian battle against Napoleon's army heavily parodies the same film's "Odessa steps" sequence.[3] Bergman's The Seventh Seal is parodied several times, including during the climax.[3]

Reception

[edit]

The film grossed $20.1 million in North America,[2] making it the 18th highest grossing picture of 1975 in North America (theatrical rentals were $5 million).[4]

On Rotten Tomatoes, 25 out of 25 critics gave the film a positive rating, with a 100% rating and a average rating of 9.4/10. The site's consensus reads: "Woody Allen plunks his neurotic persona into a Tolstoy pastiche and yields one of his funniest films, brimming with slapstick ingenuity and a literary inquiry into subjects as momentous as Love and Death".[5] As per Metacritic, the film has received "universal acclaim", with a weighted average score of 89/100 based on 6 critics' ratings.[6]

Roger Ebert gave it three and a half stars and wrote: "Miss Keaton is very good in Love and Death, perhaps because here she gets to establish and develop a character, instead of just providing a foil, as she's often done in other Allen films ... There are dozens of little moments when their looks have to be exactly right, and they almost always are. There are shadings of comic meaning that could have gotten lost if all we had were the words, and there are whole scenes that play off facial expressions. It's a good movie to watch just for that reason, because it's been done with such care, love and lunacy."[7]

Gene Siskel awarded a full four stars and wrote: "Woody Allen is simply terrific in Love and Death. To my mind, it's his funniest film. He plays to his greatest strength (gag line dialog) and stays away from what has limited his other movies (an attempt to develop a story)."[8] Vincent Canby of The New York Times called the film "Woody Allen's grandest work" and "side-splitting."[9] Charles Champlin of the Los Angeles Times declared: "Thin but likable just about sums it up."[10] Gary Arnold of The Washington Post found the film "funny with remarkable and delightful consistency."[11] Penelope Gilliatt of The New Yorker thought that Woody Allen and Diane Keaton "have become an unbeatable new team at pacing haywire intellectual backchat. Their style works as if each of them were a less mock-assertive Groucho Marx with a duplicate of him to play against. For such a recklessly funny film, the impression is weirdly serene."[12] Geoff Brown of The Monthly Film Bulletin wrote that "the occasional longueurs and dud jokes never prove fatal to the movie's overall success; to use the description Boris applies to his father, Woody Allen is a 'major loon' and Love and Death provides a fine showcase for his talent."[13]

Comedian and filmmaker Bill Hader talked about his appreciation of the film, having listed it as one of his favorite films saying: "I love Diane Keaton in this movie so much. My first real movie crush. It's nonstop jokes, but it's played very real and loose, and it has the starkness of a Bergman movie! It's insane, yet it completely works."[14]

Accolades

[edit]

At the 25th Berlin International Film Festival in 1975, the film won the Silver Bear for outstanding artistic contribution.[15]

In September 2008, in a poll held by Empire magazine, the film was voted as the 301st greatest film out of a list of 500.[16] In October 2013, the film was voted by the Guardian readers as the seventh-best film directed by Woody Allen.[17]

Soundtrack

[edit]

References

[edit]
  1. ^ a b "Love and Death". AFI Catalog of Feature Films. Archived from the original on February 13, 2019. Retrieved July 17, 2016.
  2. ^ a b "Love and Death". Box Office Mojo. Archived from the original on January 28, 2012. Retrieved January 22, 2024.
  3. ^ a b c d e f g h Stafford, Jeff. "Love and Death (1975)". TCM. Archived from the original on 2019-07-31. Retrieved 2013-08-23. ... he was able to pay homage to some of his favorite films: a battlefield hawker who sells blinis to the troops recalls Harpo Marx in Duck Soup (1933), a dueling scene appears modeled on a Bob Hope routine in Monsieur Beaucaire (1946), the climax is a direct nod to Ingmar Bergman's The Seventh Seal (1957) and the Scythian Suite by Stravinsky is used as background music in one scene, just as it was in Sergei Eisenstein's Alexander Nevsky (1938). Famous dialogue from the novels of Tolstoy like War and Peace and Anna Karenina is also parodied along with in-jokes about the poetry of T.S. Eliot.
  4. ^ "All-time Film Rental Champs", Variety, 7 January 1976 p 48
  5. ^ "Love and Death". Rotten Tomatoes. Fandango Media. Archived from the original on December 25, 2019. Retrieved March 1, 2024.
  6. ^ "Love and Death". Metacritic. Retrieved 2024-07-18.
  7. ^ Roger Ebert (January 1, 1975). "Love and Death". rogerebert.suntimes.com. Archived from the original on July 13, 2015. Retrieved May 19, 2010.
  8. ^ Siskel, Gene (August 4, 1975). "Film of Czarist Russia Woody Allen's funniest". Chicago Tribune. Section 3, p. 16.
  9. ^ Canby, Vincent (June 11, 1975). "Film: 'Love and Death' Is Grand Woody Allen". The New York Times. p. 48. Archived from the original on July 6, 2015.
  10. ^ Champlin, Charles (June 11, 1975). "Woody in a Time Warp". Los Angeles Times. Part IV, p. 1.
  11. ^ Arnold, Gary (July 3, 1975). "A Buoyant Parody Of Russian Epics". The Washington Post. C1.
  12. ^ Gilliatt, Penelope (June 16, 1975). "The Current Cinema". The New Yorker. p. 107.
  13. ^ Brown, Geoff (November 1975). "Love and Death". The Monthly Film Bulletin. 42 (502): 241.
  14. ^ "Here are Bill Hader's 10 favorite movies". Time Out. 29 July 2015. Retrieved July 13, 2022.
  15. ^ "Berlinale 1975: Prize Winners". Berlinale. Archived from the original on January 7, 2017. Retrieved July 11, 2010.
  16. ^ "Empire's 500 Greatest Movies Of All Time". Empire. Archived from the original on November 13, 2012. Retrieved August 23, 2013.
  17. ^ "The 10 best Woody Allen films". The Guardian. October 4, 2013. Archived from the original on November 29, 2014. Retrieved November 22, 2014.
  18. ^ Harvey, Adam (2007). The Soundtracks of Woody Allen. US: Macfarland & Company,Inc. p. 75. ISBN 9780786429684.
[edit]
Wikiquote has quotations related to Love and Death.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Love_and_Death&oldid=1254802138"